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Wednesday, 13 June 2012

Fountain Pen Review: Lamy Safari 2012 Limited Edition Green

Posted on 21:15 by Unknown

When I started using fountain pens in 2007, I was like any other newbie. I hoarded. I had no clear idea of what I really want and got pens I could just easily get. Lately, though, I decided to focus on pens that work well for me, rather than settle on what I just like. I let go of some pens, and now maintain a few sets that include my Lamy Safari fountain pens. I have 14 Lamy fountain pens as of this writing, and my most recent is the 2012 limited edition Green Safari.

Green is Lamy Safari’s 2012 limited edition color and is available as ballpoint, rollerball, or fountain pen. Lamy's authorized distributor in the Philippines, Times Trading, through the kindness of Charlene Ngo, sent me a fountain pen to review. When the pen was delivered to my office on a Monday morning, a lot of people were in awe of this  vibrant, lovely pen.

The Green Lamy Safari fountain pen comes in a self-covered plastic box. You push the sides away from each other and the pen inside the box is shown, held securely in place by a plastic clamp. This box is so Lamy, don’t you think? It is simple, with Lamy’s logo as its only embellishment, but very functional. I like the plastic clamp because while it holds the pen in place, it does not scratch it at all.


Lamy Safari pens are made from sturdy ABS plastic, a common thermoplastic widely used in a variety of products. It is also used in Lego blocks and the inner walls of our refrigerators! The first Lamy Safari fountain pen, the Savannah, was introduced during the 1980 Frankfurt exhibition. It was designed by Wolfgang Fabian and the Mannheim Development Group under the direction of Prof. Bernt Spiegel. Lamy has kept the Safari in regular production since then. To read more about the Safari's history, visit Lamy's website here.


Below is the Green Safari fountain pen’s major parts: cap, section with converter, and barrel. The Green Lamy Safari fountain pen measures 5.5 inches while capped, 5 inches without the cap, and 6.5 inches when posted. It is a light weight pen, and I can use it for extended periods of writing. The cap with the oversized chrome-coated stainless steel clip is 2.5 inches long, the length from the nib to converter is 4.6 inches, while the barrel measures about 3 inches.


Lamy Safari pens, especially the rollerball and fountain pens, have cap buttons, a unique feature of this line. Rollerball pens have a line, and fountain pens have a cross sign in their cap buttons. The Greenfountain pen’s cap button is green like the rest of its parts, though not as glossy, and similar to last year’s limited edition pen (Aquamarine) and the re-issued pink Safari. It is different from the black cap buttons of Safaris in regular production (glossy white, glossy black, matte black, blue, red, yellow).


Here is the Green Safari together with other limited edition Lamy Safari fountain pens in my collection. Farthest right is the earliest pen in the pack, the Lime Green Safari issued in 2008 with the black cap button and cross. Next to it are the Crème Orange (2009) and Pink (2010) Safari fountain pens that have simple dots as cap tops in the same barrel and cap colors, instead of the usual cross on black. The two pens to the left are the Aquamarine (2011) and Green (2012) Safari fountain pens. Last year's group photo is here.


Many fountain pen users frowned at Lamy Safari fountain pen’s triangular grip, finding it uncomfortable and annoying. The triangular grip in the pen’s section however, is designed to make writing easier – it is meant for users to have a firm and secure grip on the pen. Near the end of the section is the anti-slipping brake to prevent a user’s fingers to slip into the nib while writing. I do not find the triangular grip uncomfortable at all. I actually do not notice it!


The Safari fountain pen’s barrel has an ink window that allows me to check on my pen’s ink level without having to screw out the barrel.


Lamy’s proprietary Z24 converters are used to fill the Safari with ink from a bottle. T10 Cartridges are also available, but a Z24 converter comes when you buy a new pen. A pair of nipples on the converter’s sides fit snugly into the small grooves in the upper part of the pen’s section. They fit perfectly so that the converter will not easily turn inside the barrel or be accidentally pulled out of the section. Photos showing more details of the Z24 converter nipples are available here.


The other reason why I love my Safari fountain pens is the interchangeability of their nibs. My Green Safari fountain pen uses the same feed and nib as those on the Lamy Vista, Al-Star, Joy, Nexx, and Studio. The default nib on Safari fountain pens bought in the Philippines is medium, which is my preference, but other nib sizes are available: extra-fine, fine, broad, and left-handed. It can also be fitted with an italic nib ranging from 1.1mm to 1.9mm since the Safari shares the same section, feed, nib, and cap designs with that of the Joy, Lamy’s own set of calligraphy pens. I have seen yellow Safaris fitted with 1.5mm or 1.9mm nibs to be used as highlighter pens. Lamy’s nibs tend to write wide, but they write wet and smooth.


As an old practice with new fountain pens, I flushed this one before filling it to ensure that there is no factory residue or ink on it. After filling it, the pen wrote instantly, and did not need any strong pressure to start writing. It kept writing very smoothly and did not even skip as I filled a page in my pocket Venzi notebook.

Below is my writing sample of this vibrant Lamy Safari Green fountain pen. The ink I used here is an equally vibrant green ink, J. Herbin's Vert Pré.


I love how I can easily swap nibs in my Safari pens. When I received this Green Safari fountain pen, it was just in time for my 'Pentangelized' Lamy stub nib to arrive. It was a joy to have the stub nib on my new pen, as it is so much different from a regular round nib. Pentageli is a dear friend and fellow fountain pen user/collector Jose Reinoso. He is based in Manila, Philippines, and started doing nib work as special favors to his friends. He now accepts minor pen repair work and nib grinding jobs. He fixes barrel cracks using empty shell casings, and has amazingly converted a TWSBI 530 extra fine nib to a juicy, wet flexible!  Photos of his works can be found here, here, and here.


Many followers frowned at Lamy's choice of color for 2012 because two green Safaris have already been issued previously: the original Safari (Savannah) and 2008's lime green. I only have the lime green fountain pen for comparison, and I think the new Green Safari is a beautiful addition to Lamy's growing stable of pens. Next to the new Green, 2008's lime green fountain pen looks more yellow than lime.


This Green Lamy Safari is another cool addition to Lamy's growing line of fountain pens. A beginner's fountain pen, with others even calling it a student pen, this plastic pen actually feels very good in my hand because it is light, but strong and firm at the same time. And it comes in many different colors! My Aquamarine pen still feels new and now I have the 2012 Green Safari in my hands. It makes me dream of the 2013 Safari color. Purple! I want purple! A purple pen would be a nice addition to the pens below, right?


Lamy Safari pens are widely available in reputable pen sellers worldwide. For a global search of Lamy sellers worldwide, follow this link.

In the Philippines, the Green Lamy Safari (and other Lamy pens and ink) is  made available by Times Trading Company, through their increasing number of kiosks at National Bookstore outlets around Metro Manila. Lamy pens are also available at Scribe Writing Essentials, a specialty store offering unique paper products and writing tools located at Eastwood Mall in Quezon City. A Lamy Safari (including the Green pen) fountain pen sells for PhP1,499.75 (~USD35).
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Posted in 2012 Green, Apple Green, fountain pen, fountain pen review, Green, ink, J. Herbin, Lamy, Lamy Safari, Limited Edition, nib, review, Safari | No comments

Sunday, 10 June 2012

Notebook Review: Black Ocean 1.2 by Whitelines

Posted on 06:14 by Unknown

I'm still here! And I'm back after three months with a notebook from Sweden - Whitelines! When I started using fountain pens and writing reviews here, I read a lot about Whiteline's products and I have always wanted to try them. A Twitter DM finally helped, and after an exchange of emails with Whitelines CEO Johanna Ragnartz and Product and Brand Manager Anna Scherp, a package was on its way to me.

The notebook I am reviewing is the A5 Black Ocean 1.2, one of Whitelines' top of the line notebooks. The Black Ocean's front and back covers are made of sturdy board encased in a smooth, rich, rubber-like black material. It is soft to touch, like velvet, but delicate, too. If you are as fussy and finicky with your stuff like I am, the fingerprints and lint you will leave on the notebook covers will surely bother you. The cover also bears a debossed, unobtrusive Whitelines logo on its lower left portion.

Whitelines offers the Black Ocean notebook with either lined/lined or isometric/lined pages. Notebooks with lined/lined pages have the signature Whitelines orange for their inside covers and ribbon markers. The orange inside front cover is bright and happy, and has a single line of text that says, "Push it forward."


The inside back cover still has the happy orange theme, with a full page of text about creativity and how one can "push it forward". Notice something missing? Yes, the Black Ocean does not have a pocket in its back cover, a feature that I am happy not to be seeing because I do not like the bumps that these back pockets create in my notebooks' pages.


Black Ocean has 80 sheets of A5 (5.8 x 8.3 inches) white-lined 80g paper in Flexo binding. This binding keeps the pages secure and allows the notebook to easily lay flat when open.


A black elastic strap keeps the Black Ocean's pages tidy. The notebook covers and its pages have pointed corners, a feature that I do not like very much because these sharp corners sometimes cut into my fingers and palm when I write. But this minor issue can be easily remedied by my mini corner cutter, a nifty tool that easily makes pointed page corners round.


Did I say this notebook lies flat when you open it? It does. And I like that feature in any hard bound notebook. The Black Ocean's 80g paper is not the usual bright white or cream, or beige, but light gray. I think Whitelines used gray so the white lines in their notebooks' pages stand out. Field Notes did the same thing in their Northerly notebooks last year. Whitelines said this about the unique lines in their notebooks: "The lines support your writing and drawing without the distractions from conventional dark  lines and the background disappears when you copy, scan or fax." I tried to copy a sample page, and true enough, the white lines disappeared! They should have included photograph in there, too! I had such a hard time shooting photos of the notebook pages because the white lines disappear in them! The photos below of my pen and ink test pages do not show the white lines. I needed to adjust lighting to get a photo that will at least show the white lines, such as below.


See? I told you the white lines disappear in the photos! I excitedly tried a page to test its friendliness to fountain pens that I regularly use. Most of my pens have medium to broad nibs, and I usually see them bleed and feather on a lot of paper types most of the time.


And the results? All pen and ink combinations bled, except for the Esterbrook and Pelikan Blue Black duo. This broke my heart, really. Through the years, I have accumulated dozens of notebooks, in my search for  fountain pen friendly ones. I like the Black Ocean and would have been very proud to carry it around with me, but I have already established a rule (to avoid accumulating more!) that if a notebook cannot take fountain pens, then it goes to one of my nieces, or to my friends. But I was not letting go. Not yet.


I kept the Black Ocean for future review because I did not know what to do with it. Then an interesting discussion about iron gall ink in my local fountain pen collectors' board caught me. Interesting to me, but frightening for my pens. But what the heck, I want one! There are two available iron gall inks in the Philippines: Lamy Blue Black (Lamy BB, as I love to call it) and Mont Blanc Midnight Blue (MB MB, playfully). A search through all of Lamy's kiosks in Metro Manila for this 'endangered' ink (Lamy has changed the formula for the bottled blue black ink since last year) yielded a bottle, and my first test for the ink was on the Black Ocean! After writing my first sentence, I checked the back of the page. Now, could I just take back all the notebooks that I have given away?


After almost giving up on this notebook, I was given the chance to keep and use it. Now I am thinking of how I can make use of it. Probably in school, or at the office. I am always thrilled to see people taking second (and third) glances at my notebooks. 

Part of the Whitelines Black Ocean that I received was a request from  Anna that I take a photograph of the package when I receive it. Here it is, Anna. It got through quite a lot from Sweden to the Philippines, but it made through! Thank you, Anna! Thank you, Johanna!

(Don't you just love the stamps in this envelope?)

To buy a Black Ocean, and see the rest of Whitelines' products, visit the Whitelines Shop at http://www.whitelinesshop.se/.

The Black Ocean 1.2 used in this review is from Whitelines, through Anna Scherp and Johanna Ragnartz. The pens and inks belong to my personal collection.
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Posted in Esterbrook, fountain pen, ink, iron gall ink, Lamy Blue Black, notebook, notebook review, paper, Whitelines | No comments

Monday, 27 February 2012

Ink Review: J. Herbin Ambre de Birmanie

Posted on 20:59 by Unknown

I miss writing ink reviews, really. I was supposed to write one for Valentine's, but the occasion felt too frivolous so I skipped it and chose a different ink color. I saved the red ink for the dark rainy days. One Saturday morning, when the sun was out and shining, I dragged myself out of bed and arranged a photo shoot for this lovely J. Herbin ink called Ambre de Birmanie (Amber of Burma).


J. Herbin's Ambre de Birmanie is a bright yellow-orange to light golden brown ink that looks like Burmite amber, the gemstone that it was named after. Like Diabolo Menthe, it appears light while wet, but turns a beautiful gem-like amber once it dries. This ink is not highly saturated, has excellent flow and beautiful shading especially when used with a wider nib.


Ambre de Birmanie reminds me of the sweet caramel syrup on top of the tall vanilla ice cream that my niece Raiyah and I love to share at McDonald's on our Sunday afternoon dates. I also remember that it looks a lot like the raw honey on thick honeycombs that my brothers and I used to get from a hive in our backyard when we were kids. 


I almost gave up on this ink the first time I used it. The pen I filled with it has a fine nib and the writing sample  did not look any good. I tried it next on my yellow Lamy Safari with a medium nib, and it wrote so good!

Though Ambre de Birmanie is a lovely ink, very few reviews were written about it, and I think I understand why -- not everyone likes a bright yellow-orange ink on their notebooks' pages. And I feel the same way too, but I love using this ink to write  notes on almost everything -- my modules, things to do, important dates, reminders, anything! Bright colors can quickly catch my eye and I like to use them in my planner and journal notebooks to complement the dark inks on their pages. It's also an excellent ink for calligraphy because it produces so much shading.


Clearly, Ambre de Birmanie works well with wide nibs. I wrote the Murakami quote with the 1.5mm italic nib on my Lamy Joy, and the shading I saw when the ink dried is just amazing! I didn't expect a light-colored ink to produce this type of shading. 


And for my usual ink concerns regarding feathering and bleed, I am happy that Ambre de Birmanie did not feather at all on Muji paper. Here, the ink's yellow-orange color is simply outstanding!


But what's even more amazing is that even on a wide nib such as an italic 1.5mm, Ambre de Birmanie did not bleed! There is some show-through, but that's fine with me.


Ambre de Birmanie's drying time does not differ that much from most J. Herbin inks. It dries fast, taking no more than 15 seconds to dry on Muji paper, with the ink coming from a medium Lamy Safari nib.


I mentioned earlier that Ambre de Birmanie is an excellent ink for calligraphy so I tried it on a quote from Sir Winston Churchill. The color is very beautiful. When I look at the page, I pretend that I wrote it using my Herbin glass pen dipped in sweet caramel syrup.


Below are some macro shots of Ambre de Birmanie on Muji paper. These were written using a Lamy Joy with 1.5mm italic nib. This ink is beautiful on white paper. Its cheery color stands out of the bright white page. It doesn't look as good on cream or beige paper, though.


Amber is fossilized tree resin which has been appreciated for its color and natural beauty since Neolithic times. It is primarily found in the Baltic regions, but also appears in the Dominican Republic, Mexico, Burma (now Myanmar), Italy, Romania, Borneo, New Zealand, the Middle East, Alaska, Canada and the United States. Hilltribe women from the Kachin State are known to wear long, crayon-shaped pieces of the unique orange-red Burmite amber found there.

Could it be possible that J. Herbin passed through Burma during his travels? If so, it may be in Burma where he saw the beautiful yellow-orange color and named it Ambre de Birmanie -- Amber of Burma, after the land's beautiful amber.


J. Herbin inks are available in 30 beautiful colors. These water-based inks are non-toxic, have neutral pH and manufactured using natural dyes. Download a printable PDF of the J. Herbin fountain pen ink swatches here.

A 30ml bottle of J. Herbin ink sells for P475 at Scribe Writing Essentials here in the Philippines, and US$9.75at The Goulet Pen Company. (I am not affiliated with either companies.)

The bottle of Ambre de Birmanie reviewed here is courtesy of Exaclair, Inc. through Karen Doherty, while the Muji notebook and Lamy pens (Safari, Joy) all belong to my personal collection.
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Posted in Ambre de Birmanie, calligraphy, fountain pen, ink, ink review, J. Herbin, Lamy, Lamy Joy, yellow | No comments

Tuesday, 17 January 2012

Notebook Review: The Northerly by Field Notes

Posted on 01:45 by Unknown

I have been reviewing pen and paper products for almost four years now. I've reviewed notebooks from Asia, Europe, and mostly from the United States, but I have not had a glimpse of a Field Notes pocket notebook yet. Back then, I didn't like small notebooks, and Field Notes was not available here in the Philippines. Last December though, a local online shop announced that they are selling the Field Notes Brand, beginning with the Winter 2011 Colors Release, The Northerly. I knew I had to get my own set the moment I saw the bright white notebooks. Never mind that I don't like small notebooks.

The Northerly by Field Notes. Winter 2011 release.

Thirteenth in the Field Notes Colors Series, The Northerlies, like other Field Notes notebooks, measure 3.5 inches x 5.5 inches. Small by my standards, but large enough for my notes. My notebooks (each order comes in a pack of three) came before the New Year and it was definitely drool at first sight. The bright show-white Kromekote cover printed with "Icy Silver" soy-based ink on the embossed Field Notes logo is sooooo beautiful. Even the silver-coated band holding the notebooks together is beautiful.

The back cover of The Northerly bears Field Notes' logo, including the proud declaration of where the notebooks were made.


The inside cover of the notebook is for its owner's personal details. I haven't filled out this page yet because I'm still searching for a pen that will write permanently on the shiny, coated Kromekote. Perhaps I'll use a Sharpie here.


The inside back cover, on the other hand provides extensive information on Field Notes' story, the notebook's specs, and some suggestions on how to use the notebook. I like that. My favorites are 'Things Done Right', 'Resolutions, As Yet Unbroken', and 'More Reasonable Resolutions'. The specifications part is a marvel to read. As a publications designer, I'm in the printing and publishing business and I understand all the printing lingo written here. As I read on, I can see tall stacks of Kromekote and Finch paper and hear the mechanical noise of the press, the Heidelberg stitchmaster, and the round corner machine. I can even smell the 'smell' I get when I'm inside a printing press.


Another beautiful thing about the Northerlies: round page corners! All Field Notes notebooks have round page corners, including The Steno. I've always preferred round page corners for my notebooks, especially those with thick cardstock for cover. Square, non-round page corners can sometimes cut into my fingers and palm while I'm writing, or get caught in the fabric inside my bag.


Unlike other pocket notebooks with the usual two staples for binding, Field Notes notebooks are saddle stitched in three staples to provide extra durability. 


The Northerlies have the usual Finch paper that Field Notes use in their notebooks, except for a nice 'twist': the inside pages have 4.5mm x 4.5mm white graph lines on a cool, blue-gray background. I like this graph lines, except that I wish they were a bit thicker. The thin lines can sometimes be hard to see, especially when lighting is not very good.

A new collection? This is all your fault, Field Notes. 

This is my 'test page' for my first Field Notes notebook. Notice anything new? The Pilot G2. But of course!  I've always tested notebook paper using my fountain pens, and I did that with my Northerlies too. Initially, I was disappointed when I saw the amount of feathering and  bleed on the Finch paper (see photo below). I put away my notebooks, not knowing what else to do with them. Then I realized that I could still make use of them — using other pens that will not bleed. That's why this notebook review has a Pilot G2 instead of a  colorful Lamy Safari.

The Northerlies are clearly not for fountain pen use. I don't care. It's still cool, hip, and fun!

So now I'm going to wait for the next limited edition Colors notebooks by Field Notes. I wonder what color they'll come in next. Purple? Black? Gold? I can't wait!


Now, who else can think of a really cool slogan like this one? Everybody, come on! Let's all write everything down to remember them now!



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Posted in Field Notes, notebook, notebook review, paper, paper review | No comments

Monday, 12 December 2011

Notebook Review: Banditapple Carnet

Posted on 03:15 by Unknown

I first read about Banditapple Carnet notebooks in June when my friend Julie wrote a review in her blog. Out of curiosity, I sent an email to Banditapple's creator and owner, Arnie Kim, to ask for sample products to review on the blog. Three months of waiting and chasing the guys at our Post Office, I received the lovely notebooks that Arnie sent to me. 

Banditapple Carnet notebooks are sold by its creator and owner, Arnie Kim from Seoul, South Korea, though they are all hand-made in Vietnam. Arnie said that his notebooks are now available in stationery stores not only in South Korea, but also in selected stores in Japan.


The notebooks come in three sizes (Peewee, Handy, and Tablet) and two cover colors (Hanoi Red and Saigon Black). All Banditapple Carnet notebook sizes are available in either blank or ruled paper with 64 pages of acid-free, 80gsm off-white paperstock. The cover used on the notebooks is plain cardstock which makes them look very simple, and almost anonymous and unbranded. But I like that. I'm also glad that Arnie sent me samples of all available notebook sizes and covers, and that he sent me notebooks with both blank and ruled pages.


Peewee in Saigon Black cover with my first generation pink Lamy Safari.


Peewee is the smallest among the three available notebook sizes of Banditapple Carnet. It measures 3.5 x 5.5 inches, sized like a pocket Clairefontaine notebook, Venzi, or Field Notes. The photo below shows the Peewee on top, and all the notebooks I mentioned underneath it. All notebooks have the same dimensions, they just differ in either their binding (stapled or stitched) or corner cuts. Since I received the Banditapple Carnet notebooks, I've made the Peewee my 'ink diary'. It's the perfect thin, small, black notebook I can carry with me anywhere because it fits in the plastic zipper pocket of my Midori TN. When I need to see how a certain ink behaves in a particular pen, I just pull out my Peewee.


Handy in Saigon Black cover with my yellow Lamy Safari.


Handy, the 'middle' size, measures 4.25 x 8.25 inches. This notebook made me very happy as soon as I saw it. Why? Because it's the same size as my Midori Traveler's Notebook's refills! And what's better, the Banditapple Handy have round page corners.

Banditapple Handy in Hanoi Red cover on top, Midori Traveler's Notebook refill below.

See? Banditapple's Handy fits my Midori TN perfectly!


Tablet in Hanoi Red cover, with my LE orange Lamy Safari.


Tablet, the biggest Banditapple notebook, measures 5.125 x 8.25 inches. It is sized like a large Moleskine or Rhodia Webbie, or as shown below, a soft cover large Venzi notebook. I got a blank Banditapple Tablet, and I may just turn it into a sketch/doodle/calligraphy notebook later.

Banditapple Tablet in Hanoi Red cover on top, soft cover Venzi below.


The other wonderful feature of Banditapple Carnet notebooks is their binding — the pages are stitched — not stapled, not glued, but stitched. A single signature is stitched to the cover, and the notebooks' stitching match the color of their covers.

Neat stitching on spine...

...and on the notebook's pages.


And now, the best part about these wonderful notebooks: the paper. Banditapple uses 80gsm off-white (read: not-so-white), acid-free paper. Dr. Matthias Meckel, blogger at Bleistift, wrote that Arnie spent more than two years to find the right paper for his notebooks. And his efforts paid off. Banditapple Carnet notebooks have one of the best papers I've ever tried with my fountain pens.

Banditapple uses a .25 inch page ruling; top margin of .75 inch, and bottom margin of .625 inch. Ruling has been printed using soy type ink.

The pages have no side margins, though. The ruling extends to the edges of the page spread.


And I saved the best for last: the pen and ink tests on Banditapple's Handy notebook. Because the Handy is a tall notebook, I was able to test a couple of pens on a page, including fountain pens, a rollerball, gelpens, and a permanent marker. I like using different pen types to test a notebook's paper because it shows me instantly how the pens and inks react to it.

Banditapple uses paper that is not smooth and shiny white. But it is very excellent for fountain pen use, especially to very broad and wet nibs such as those on my Esterbrook pens. The Esterbrook LJ and Trans J pens below both have 9968 (firm broad) nibs and I did not see any feathering or bleed at all. Even the badly notorious bleeder called Noodler's Midnight Blue behaved so well on this paper. I also noticed that some ink types even showed better color in Banditapple's paper, like Edelstein Jade and J. Herbin Bleu Myosotis. Drying takes a longer time compared to other paper types, but that is just fine.

All in a page: 21 fountain pens, 1 rollerball, 9 gelpens, 1 permanent marker.

Banditapple paper up close. Ink is  J. Herbin Café des îles. I love the pure, cottony goodness of paper on a close shot like this. And even at a very close view, I just don't see the ink feathering on paper.


This is how the back of the pen and ink test page looks like. Not one of the 21 fountain pens bled or feathered, but the Sharpie permanent marker just had to bleed very badly. But that's how Sharpie behaves on almost all of the paper types I have ever tested.

Lastly, here is the Peewee notebook that I have made into an 'ink diary'. Very cool. I like keeping an 'ink diary' because it's a way of keeping an informal inventory of my inks and pens. And I am very strict with myself that whenever I fill a pen, I have to write down the date, ink type, and pen used so I have an ink/pen reference.



If you need more information about these wonderful notebooks, Arnie Kim's contact details are on his site, http://www.banditapple.com/. Or you can email him using this email address: owner@banditapple.com if you want to discuss notebook orders. You can place orders for his notebooks in bulk and he will gladly give you a good price and a choice of whether to ship by air (faster), or water/surface (slower by 2 weeks, but then, the package gets to you). This is the best way of ordering from Arnie at the moment.

I am not affiliated with Banditapple Company, I am just a very satisfied owner of these wonderful and amazing notebooks.

The Banditapple Carnet notebooks used in this review are from the Banditapple Company through its creator and owner, Arnie Kim. The other notebooks, pens and inks used in this review all belong to my personal collection.
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Posted in Banditapple Carnets, fountain pens, inks, notebook review, notebooks, paper, paper review | No comments
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